Documentary film is a genre which straddles fact and fiction, education and entertainment, aesthetics and documentation. Today, many documentary filmmakers try to persuade us to change our opinions and attitudes, or even inspire us to act.
Such purposive documentaries have found new audiences in the cinema and on film festival circuits lately. Some well-known examples are Michael Moore’s films about US politics, Al Gore’s An Inconvenient Truth about global warming and the Francis brothers’ Black Gold on Fair Trade.
Documentaries have tackled everything from economics to politics, history, nature and celebrity culture, but how effective are documentaries as tools for social campaigning or ‘awareness raising’? Is there a tension between truth-telling and campaigning? Should those making political films take into consideration the influence they may have on the social reality they depict and what, if any, is the documentary filmmaker’s responsibility to his audiences?
 | Phelim McAleer joint managing director, New Bera Media; journalist and documentary filmmaker; director and producer, Mine Your Own Business |
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 | Alan Miller co-director, NY Salon; co-founder, London's Truman Brewery |
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 | Jess Search chief executive, Channel 4 BRITDOC Foundation; co-founder, Shooting People |
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 | Poppy Simpson education developer, British Film Institute; producer and co-director, Ngobile: The Race |
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 | Nathalie Rothschild commissioning editor, spiked; co-ordinator, Young Journalists' Academy; UK correspondent, Judisk Krönika |
| Nathalie Rothschild commissioning editor, spiked; co-ordinator, Young Journalists' Academy; UK correspondent, Judisk Krönika | |
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| Helen Birtwistle resources and communications manager, Debating Matters Competition | |
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| Wendy Earle educator and researcher in the cultural sector; education programme manager, British Film Institute | |
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 | recommended by spiked |
